Sunday, October 30, 2016

Creative Nonfiction? An Oxymoron?


This week's post, as well as next week's, are again from our professional editor, Joyce Gram. Creative nonfiction or CNF is difficult to define, but is wonderful for readers. Neither scholarly nor detached like so many nonfiction books, CNF is storytelling the truth. The technique raises many questions and dilemmas for authors, and takes all their skills to do it successfully.

PART ONE
By Joyce Gram, writer and editor

In Tell It Slant: Writing and Shaping Creative Nonfiction, co-author Brenda Miller imagines being cornered at a party and asked the deceptively simple question, “So, you’re a writer. What do you write?” All the possible replies flash through her head: Essays—but that sounds too much like academic papers and articles. Nonfiction—but her inquirer might think celebrity biographies, cookbooks or historical treatises on World War II. Autobiography, memoir—but isn’t she too young to write her memoirs? She knows that if she answers with the correct phrase, creative nonfiction, she will be in for a long night. She longs to tell her confused companion that she loves writing creative nonfiction precisely because of the ambiguity of this apparent oxymoron, ambiguity that allows her “to straddle a kind of ‘borderland’ where I can discover new aspects of myself and the world, forge surprising metaphors, and create artistic order out of life’s chaos.” Instead, she directs her friend’s attention to the punch bowl and thereby to the myriad things of this world and thinks “maybe that is the correct answer after all.”

The book’s title is from a line of poetry by Emily Dickinson, which Miller and co-author Suzanne Paola interpret to mean that truth takes on many guises. The authors felt that the poem aptly described the task of the creative nonfiction writer: “to tell the truth, yes, but to become more than a mere transcriber of life’s factual experiences.” Every chapter opens with an artful example—just a few paragraphs—of the subject of the chapter: early memory, family, the physical world, spiritual autobiography, gathering history, writing the arts; and even the particular challenges of creative nonfiction and the basics of good writing. Just reading these examples is a revelation in itself: everything is interesting—or can be—even the exercise assigned to a group of novice nonfiction writers, to pull out a piece of their own prose and count the number of words in each sentence. “Ohmigod!” said one woman. “All of my sentences are eleven words long!”

Brenda Miller and Suzanne Paola, Tell It Slant: Writing and Shaping Creative Nonfiction. New York: McGraw-Hill, 2005.

© Joyce Gram
Gram Editing Services
www.gramediting.com
email@joycegram.com


Julie speaking: An excellent example of CNF is Unbroken: A World War Two Story of Survival, Resilience, and Redemption by Laura Hillenbrand. It's a biography of Louis Zamperini — I couldn't put it down but survived the short nights!